Heritage preservation is considered to be a key indicator that contribute significantly to the culture and knowledge classification of the country on the global development map of human thought, as it is one of the vital components of the cognitive system historically, and an essential component for extrapolating the future of societies historically rooted in a shared cultural reality. Re-reading the history of the development of international standards and practical applications in the field of heritage preservation shows us the integral role of joint international action in this field and hence the importance of keeping up with international standards and procedures, and achieving synchronicity with local legislation, institutional and regulatory frameworks, and moving towards constructive and effective contribution internationally towards the preservation of national heritage, and meeting with the nation’s international responsibility to preserve the heritage of humanity.

We infer from the same historical readings that heritage and creativity are synonymous and cannot be separated. The human dynamism for various types of creative expression is the same innate fuel that contributes to our consideration of those arts that preceded us in time and place, and recognizing its value and moral potential, and thus preserving and activating it so that it contributes to the formation of our future urban identities. Considering the cognitive framework explained as a departure point, we as a team of architects and civil engineers took the initiative to propose the establishment of a laboratory for experimental research in the field of preservation of traditional built heritage, in a way that complies with authentic practices of restoration consistent with the  international conventions and follows the best restoration practices, to ensure meeting the conditions of authenticity and integrity of the historic asset, embodying the significance of building materials and their historic and cultural dimension to the restoration process. 

We aim to revive the vanished traditional building crafts and their simple techniques according to a sustainable cultural vision that requires searching for traditional sources of clay in addition to innovative sources that lessens any harm inflicted on the natural sources. Collecting and documenting historical sources and experiences of builders and their traditional knowledge, is the basis of our prospects both scientific and technical.